A new 4 x CD collection from the small British record label Weinerworld collects ninety-six previously unreleased masters and demos from fifteen of those bands that sat on the undercard of 1960s blues clubs such as The Marquee in London, the Nag’s Head in High Wycombe, The Ealing Club and the Railway in Harrow. In comparison to the likes of John Mayall’s Bluesbreakers, Cream, Fleetwood Mac, Free, Alexis Korner and Chicken Shack, names such as Brett Marvin and the Thunderbolts, Simon and Steve, Al Jones, The Nighthawks and Shakey Vick’s Big City Blues Band might not be more than footnotes in the history of British R & B. But they shared the same stages, the same songs and, sometimes, the same players as the bigger, better-known bands.
Something Inside Of Me, released last month, brings together a diverse selection of unreleased songs by these artists mostly from 1965 to 1968.
For those of you who have read my book Fleetwood Mac In The 1970s, you’ll recall that the mercurial talent of Danny Kirwan was a key element of the post-Peter Green, pre-Buckingham Nicks version of the band. Kirwan, with his band Boilerhouse, supported Fleetwood Mac as early as late 1967 – he was seventeen years old and his talent was considerable: Mac’s producer Mike Vernon later noted “Danny was outstanding. He played with an almost scary intensity. He had a guitar style that wasn’t like anyone else I’d heard in England.”
Kirwan was quickly co-opted into Fleetwood Mac. As a ‘farewell’ to Boilerhouse, the band recorded five tracks as a private memento in August 1968 at Dalmain Music Studios in Dulwich. Kirwan had just turned eighteen. Even after 53 years, these primitive recordings shimmer with life. The instrumental version of Otis Rush ‘All Your Love’ – as performed by Peter Green with John Mayall’s Bluesbreakers – displays a sensitivity of touch that astonishes. One can imagine Green hearing this in a smoky blues club in London and falling for Kirwan’s intense talent.
The collection as whole is uneven – there is a reason why many of these artists did not break though – but it opens the lid on a fascinating period in British music. A 150-page book accompanies the set. It is fully illustrated with most of the images having never before been published. Sessionography details, press clippings and posters are included, many reproduced here for the first time.
Andy chats with fellow podcaster The Squire about those bands and songs that formed the basis of the first wave of progressive rock.
Listen to tracks by The Crazy World of Arthur Brown, Procol Harum, The Moody Blues, The Who, Aynsley Dunbar Retaliation, The Beatles, Eric Burdon and the Animals, Second Hand, Bobak Jons Malone, The Nice, Arzachel, Family, Heavy Jelly, Ace Kefford Stand and Deep Purple – and see if you agree!
Here’s a link to a special extra-long episode of The Progzilla Files, broadcast last night.
Eric Clapton fans might enjoy this lengthy interview with me broadcast on The Squire Presents over the last couple of months.
Andy was interviewed (live!) about his latest book on 30 July.
I was interviewed last night by Eric Senich of the Booked On Rock podcast – we chatted all things Dire Straits.
Here’s the link
This morning I interviewed Clive Mitten, formerly of Twelfth Night, about his new album Suite Cryptique, which reworks and recomposes Twelfth Night’s music from 1978 to 1983 in various styles of classical music.
Clive explained how the album came about, and referenced several excerpts with some of their influences. So we’ll hear pieces from Suite Cryptique alongside the works of Anna Merideth, Steve Reich, Michael Nyman, John Adams, Nils Frahm and Max Richter and modern versions of pieces by Bach, Beethoven and Mozart.
The interview will be broadcast at 8pm GTM on Friday 6 April at www.progzilla.com